This modern perspective has remained submerged for a long time. The chorus in Antigone lies somewhere in between; it remains within the general moral and the immediate scene, but allows itself to be carried away from the occasion or the initial reason for speaking.
As defined by this decree, citizenship is based on loyalty. The chorus delivers a choral ode to the god Dionysus god of wine and of the theater; this part is the offering to their patron god.
Her comforting presence returns Antigone to her girlhood. Herodotus discussed how members of each city would collect their own dead after a large battle to bury them. Not even the king. The Page is a figure of young innocence. She is not bothered about the consequence.
Ismene refuses to help her, not believing that it will actually be possible to bury their brother, who is under guard, but she is unable to stop Antigone from going to bury her brother herself. That she decides to give rest to the soul of Polyneices by burying his dead body which is a duty of a loving sister even at the cost of losing her life.
Creon is bound to ideas of good sense, simplicity, and the banal happiness of everyday life. He says that "there is nothing worse than disobedience to authority" An. In the opening scene, she makes an emotional appeal to her sister Ismene saying that they must protect their brother out of sisterly love, even if he did betray their state.
That final justice that rules the world below makes no such laws. Ismene serves as a foil for Antigone, presenting the contrast in their respective responses to the royal decree. The two men are soon bitterly insulting each other and eventually Haemon storms out, vowing never to see Creon again.
This is his sin, and it is this which leads to his punishment. She knows she was going against the law, her sister Ismene threatens her that she would inform others.
Creon demands obedience to the law above all else, right or wrong. He initially seems willing to forsake Antigone, but when Haemon gently tries to persuade his father to spare Antigone, claiming that "under cover of darkness the city mourns for the girl", the discussion deteriorates, and the two men are soon bitterly insulting each other.
A second messenger arrives to tell Creon and the chorus that Eurydice has killed herself. As Ismene notes, Antigone is not beautiful like the rest, but beautiful in a way that stops children in the street, beautiful in a way that unsettles, frightens, and awes.
She repeatedly declares that she must act to please "those that are dead" An. Characters[ edit ] Antigonecompared to her beautiful and docile sister, is portrayed as a heroine who recognizes her familial duty.
As with Oedipus, it is precisely her moment of abjection, when she has lost all hope, when her tragic beauty emerges.
He does this in order to save Athens from the moral destruction which seems imminent. In the opening of the play, Antigone brings Ismene outside the palace gates late at night for a secret meeting: She argues unflinchingly with Creon about the immorality of the edict and the morality of her actions.
Man is twice deinon. As he tells Antigone, his only interest is in political and social order. Read an in-depth analysis of Chorus.
Creon is not enough to stand in my way, these words of Antigone proves her boldness of taking risks and an attitude to face anyone who comes in her way.
In prohibiting the people of Thebes from burying Polyneices, Creon is essentially placing him on the level of the other attackers—the foreign Argives. The leader of the chorus pledges his support out of deference to Creon. Proved to be more reasonable than Creon, he attempts to reason with his father for the sake of Antigone.
It is in their death the problem arises. Creon orders that the two women be temporarily imprisoned. He is here warned that it is, but he defends it and insults the prophet of the Gods.
All of Greece will despise Creon, and the sacrificial offerings of Thebes will not be accepted by the gods. Creon accuses Tiresias of being corrupt. By setting Antigone in Thebes, in the remote, mythical past, Sophocles freed himself to explore the tensions between personal freedom and legal restraint, household and city, male and female—all tensions of keen interest to contemporary Athenians, whose radically democratic system of government involved a constant program of public discussion and debate.Drama; Antigone; Antigone; Antigone by: Jean Anouilh Summary.
Plot Overview In the end, Antigone's tragedy rests in her refusal to cede on her desire. Against all prohibitions and without any just cause, she will bury her brother to the point of her own death.
Take the Analysis of Major Characters Quick Quiz. Previous Character List. Free summary and analysis of the events in Sophocles's Antigone that won't make you snore. We promise. Antigone is the daughter of Oedipus, Greek drama's most infamous figure.
Oedipus was a king who married his own mother after killing his own father - not knowing that either were his parents. The story of Oedipus The King, Sophocles ' most renowned work, is useful for giving us insight into Antigone's doomed lineage and should be understood.
“Antigone” is a tragedy by the ancient Greek playwright Sophocles, written around BCE. Although it was written before Sophocles ’ other two Theban plays, chronologically it comes after the stories in “Oedipus the King” and “Oedipus at Colonus”, and it picks up where Aeschylus '.
Antigone Analysis Literary Devices in Antigone. Symbolism, Imagery, Allegory. Much of the symbolism in Antigone lies in the characters themselves. Antigone and Creon represent a number of opposing forces: male vs. female, family ties vs. civic duty, man vs.
nature, and man's.
Antigone - The play's tragic heroine. In the first moments of the play, Antigone is opposed to her radiant sister Ismene. Unlike her beautiful and docile sister, Antigone is sallow, withdrawn, and recalcitrant. Read an in-depth analysis of Antigone.
Creon - Antigone's uncle. Creon is powerfully.Download